European

This is a classic olive tapenade spruced up with the zest of oranges and lemons, and I have to say that it’s the best version I’ve ever had. Note when buying olive purée to look for a product that has just olives or olives and olive oil, such as the olive pâté made by Rustichella d’Abruzzo.

Romesco is a Catalan condiment traditionally made of fried bread and dried peppers, and served with seafood. We make our Romesco using roasted red peppers because we love their charred, sweet flavor. We serve it with mozzarella because we love the way it contrasts with the mild flavor of the cheese—and because we are a mozzarella restaurant! If you happen to have Garlic Confit, use it in this recipe; but if not, your Romesco will still be delicious without it.

Americans think of vanilla as “plain” ice cream, the connotation often being that it is boring. But vanilla, if it’s done well, is neither plain nor boring. Although they are expensive, it’s worth the extra money to buy large, plump vanilla beans, which will impart significantly more flavor than lesser-quality beans. My favorite are Tahitian.

When we started working on this book, I had a battle with Matt and Carolynn about whether to ask for the various pestos that we use to be made using a mortar and pestle or in a food processor. I always make pesto using a mortar and pestle, and I feel strongly that pesto tastes better this way. That said, as Matt was so kind to remind me, when I make pesto, it’s usually because I’m in Italy in the summer, where it gets light at five, dark at ten, and I have all the time in the world. At the restaurant we make pesto in such volume that we have to do it by machine; it would not be practical for us to make it by hand. “This is a restaurant cookbook,” Matt said, “and how we do it at the restaurant is in a food processor.” I’m sorry to say that Carolynn took Matt’s side. “Save that for the Lazy Days in Panicale cookbook,” she said. Although here they gave you instructions for how to make it in a blender, I’m hoping you’ll prove me right by taking the extra time and using elbow grease to make yours with a mortar and pestle from time to time.

Like the Butterscotch Budino (page 272), this gelato marries the sweet flavor of caramel with a touch of salt, a combination I love. It is the base of the Caramel Coppetta, a sundae composed of Marshmallow Sauce and Salted Spanish Peanuts (page 296). Even made in a home ice cream maker, it comes out dense and creamy, and I would say one of the real successes of a long gelato-making project involving a team of gelato-obsessed taste testers.

Bacon-wrapped dates—a more elegant version of rumaki, the 1950s appetizer of chicken liver wrapped in bacon with a water chestnut in the middle—have taken Los Angeles by storm ever since Suzanne Goin started serving them at her restaurant, AOC. I didn’t want to copy hers, but I like them so much that I wanted to make a version for Mozza using figs, which are so abundant in my town in Italy that you almost forget they are a delicacy. Although I’ve never been served anything like these in Italy, I certainly didn’t invent the idea of contrasting the sweetness of figs with something piggy and salty: figs and prosciutto is a classic. At the Osteria, we serve these as an antipasto on a tangle of wilted dandelion greens, but they also make a great bite-size snack for cocktail hour, which is how we have presented them here.

Matt got the inspiration for this dish from the Whole Hog Dinner that the restaurant Oliveto, in Oakland, hosts every year for chefs, food professionals, and friends from all over the world. One year they served pasta with cured pork, pickled peppers, and tomato sauce, which was so good that when we got back to Los Angeles, Matt decided to make his own version. Fiorentini means “Florentine,” but here refers to a twisted short pasta shape made by Setar, an artisanal pasta producer in Napoli. If you can’t find it, use another dried, artisanally produced pasta in its place, such as maccheroni alla chitarra, a big tube-shaped pasta from Napoli. The tubes collapse when they cook so they’re like empty ravioli.

When we decided to take on the challenge of making real Italian gelato for the restaurants, olive oil was the first flavor I knew I wanted to make. It’s one of the most talked-about and raved-about flavors at Mario and Joe’s pizzeria, Otto, in New York. Plus, I love the flavor of olive oil so much that there was no way I would pass up an opportunity to use it in a dessert. The olive oil isn’t even cooked here, so you’ll really taste the flavor. Pull out all the stops when choosing the olive oil—and use olio nuovo when it’s available.

This is a very simple Roman pasta dish made with nothing but black pepper and pecorino romano cheese. We believe in leaving traditional dishes alone, but we did make a couple of changes to this dish. We use bavette, in place of spaghetti, which is the shape traditionally used. And we cut the pecorino with Parmigiano because pecorino is so pungent that it can be overwhelming on its own. The pepper for this dish must be coarsely ground. I recommend you use Tellicherry peppercorns, a fragrant, flavorful variety from India. Coarsely grinding or cracking the pepper for this dish is the perfect excuse for breaking out the mortar and pestle.

When the Pizzeria first opened we hosted a book signing for Lidia Bastianich’s book Lidia’s Italy, and we served Lidia’s peppers as an antipasto. I found myself nibbling on them all evening. Shortly after, I spotted tiny, bright-colored peppers in a grocery store. They were so pretty, with red, yellow, and orange colors mixed in one bag. Motivated by those peppers, I decided to put a version of Lidia’s peppers on the Pizzeria menu. For the stuffing, we start by poaching tuna in olive oil, but you could use quality olive oil–packed tuna. If you don’t want to make 48 peppers, save the excess tuna stuffing and serve it on a salad of arugula dressed with lemon vinaigrette.

Matt added pancetta to this classic dish. It’s such a perfect addition that it feels as if it’s always been there.

Stracciatella comes from the verb stracciare, which means “to tear apart.” Italians use the word for several foods, including the inside of burrata cheese, a soup in which the egg is dropped into hot broth, and this gelato, which consists of plain gelato, known as “fior di latte,” or “flower of milk,” with dark chocolate “shreds” strewn throughout. Ariana Flores, the assistant pastry chef for both restaurants, is always happy when this flavor goes back into rotation. It’s her favorite to eat, but I also think she likes the process of drizzling the chocolate over the ice cream to make the shreds. I love how plain stracciatella is—that it’s basically just milk, without even egg yolks or vanilla, which American chocolate chip ice cream generally contains—and I like the bright white color of it. If you want to make fior di latte, an Italian classic, simply omit the chocolate portion of this recipe. I especially like it topped with toasted pine nuts (page 63).

Just when I think we have perfected a dish, I come across a version that someone has done better, and that’s what happened here. I always thought we did a great job with the chicken liver pâté we served at the Pizzeria, and it is one of the most raved-about items we serve. The combination of pancetta, lemon, and capers is delicious, and we hand-chop it, which gives it great texture, so I was totally happy with these crostini until I went to the Spotted Pig in New York City and had theirs. April Bloomfield, the chef, served her chicken livers on bread that was doused with—not drizzled and not brushed, but drowned in—olive oil, which made the chicken liver taste that much better. When I came back from that trip, we started doing the same thing, drowning the toast for our chicken liver pâté in the best finishing-quality olive oil we have. After I copied April’s bread, I think our version of chicken liver crostini went back to number one—or at least we’re tied for first place.

I get really excited to be able to offer something that other restaurants are not offering, and that our clientele is not familiar with. So I was really excited when I was introduced to Spaghetti alla Gricia, spaghetti with guanciale and—depending on who you ask—maybe onion on a recent trip to Rome, at a trattoria known for traditional renditions of classic dishes, Al Moro. Alla Gricia is also known as “Amatriciana in bianco” because it is a “white,” tomatoless version of that classic pasta dish. This is one case where I feel that substituting pancetta for guanciale just won’t do. If you can’t get guanciale where you live, find a mail-order source for it. It’s worth it. And until the guanciale is delivered, make something else.

The crostini selection served at just about every restaurant near my house in Italy includes toppings of chicken livers, chopped tomatoes, and white bean purée, such as this one.We simmer the beans with tons of garlic and olive oil, and drizzle the crostini with saba, Sardinian grape must. If you can’t find saba, substitute vin cotto, a sweet, syrupy condiment that means “cooked wine,” or aged balsamico condimento. It is a nice option for vegetarians.We grill the radicchio for these crostini but gave instructions for cooking it on the stovetop because it would be unrealistic to light the grill just to cook a few leaves of the radicchio. That said, if you happen to have the grill on . . .

Up until we opened Mozza I had eaten only meatless versions of arancine. Those I’d had were mostly in cichetti, the shoebox-size stand-up wine and stuzzichini bars in Venice, where cone-shaped versions are a staple, and in Sicily, where they’re much larger and round, like a tangerine. Both were made of plain risotto with cheese in the middle. In Rome, arancine are often called “suppli al telefono,” meaning telephone cords, because the ideal is that the cheese inside melts and stretches like an old-fashioned telephone cord. Matt and I worked hard to achieve that ideal and I think we did. I suggest you make these when you have leftover bolognese because, as good as they are, it would be a herculean effort to make bolognese for just the 1/2 cup you need to make these. Besides, that is what an Italian grandmother would do.

Matt makes a point to return to Italy every year for inspiration. On a recent trip, he happily returned with the idea for this sea urchin pasta dish, the only cold pasta we serve. I love sea urchins, or ricci. They are a delicacy of many seaside regions in Italy, such as Puglia and Sicily, but many aficionados say that the best sea urchins come from the waters off Southern California. Cooked lump crab meat is readily available at seafood stores and in the seafood sections of high-end grocery stores.

I have never met anyone who doesn’t like these squash blossoms. It would seem like it would be hard to go wrong, considering the combination of deep-fried batter and ricotta cheese, but I find that rarely do restaurants get the filling right. It took us a lot of tries to come up with ours, but luckily Matt and I both knew what we wanted and we both wanted the same thing, which was a light fluffy filling that also had a melting component, which is why we added mozzarella. We dip the blossoms in tempura batter because we like how light and crunchy tempura is. I try not to be brand-specific in my recipes, but in this case we recommend you use Mochiko rice flour, which you can find at conventional grocery stores, and which we think makes for the crispest finished product.

Pizzelle, which some say are the original cookie, are thin waffle cookies from the Abruzzo region of Italy. They’re made of a simple batter of flour, eggs, sugar, and butter, and are cooked in a pizzelle iron (available at cooking supply stores and online sources) that is either electric, like a waffle iron, or handheld over the stove, which is what we use. Note that this recipe makes enough batter for 16 pizzelle. They should be served the day they’re made, but the batter lasts for a week in the refrigerator so you can reserve the extra batter to cook fresh pizzelle whenever you want them. We serve pizzelle with the Caramel Coppetta with Marshmallow Sauce and Salted Spanish Peanuts (page 296) and also sticking out of each serving of gelato or sorbetto. Thin wafer cookies are often served in a coppetta of gelato in Italy, and it just makes the presentation more festive.

Gnudi are little dumplings, like gnocchi, but made with ricotta instead of potatoes. Most places don’t do gnudi justice. They are often mushy and heavy, instead of light and fluffy, like these. This recipe makes 36 to 40 gnudi, or enough for 6 to 8 people as a first course. The dough does not keep well, so you need to plan on serving a crowd, or serve hearty, main-dish-size portions.