Herbs & Spices

While living in Rhode Island and working at Al Forno, I was fascinated by the celebrations that revolved around food (especially in the Italian and Portuguese neighborhoods) and the connection Rhode Islanders felt to certain local produce, like their native tomatoes and homegrown corn. The most prized dish in tiny Rhode Island is the johnnycake. Originally called journey cakes, these cornmeal griddle cakes, made with locally milled native corn, have been the pride and joy of Rhode Island since the seventeenth century. County competitions are held annually, and there’s even a group called the Society for the Propagation of Johnny Cakes that sees to it that their corn-pancake tradition stays alive and well. So it seemed natural at Al Forno to add that famous stone-ground corn to our shortcake biscuit. Here I’ve borrowed Al Forno’s foolproof recipe and added peaches and my own “soured cream.” To get the peaches nice and saucy, I marinate them in simple syrup with mint and then purée a portion of the fruit to spoon over the biscuit. Feel free to make this shortcake with whatever juicy fruit you like, such as nectarines or berries. The biscuit recipe makes about eight in all. So don’t worry when you notice one or two mysteriously missing after they’re pulled from the hot oven and left to cool on the counter; you’ll still have enough to feed six.

Every year, we celebrate the heart of summer with a Sunday barbecue feast at Lucques. This annual tradition always includes at least four different barbecued meats, baked beans, long-cooked greens, grilled cornbread, and former Lucques chef Rob Chalmers’s infamous coleslaw. The first year he made it, he miscalculated “slightly” and made enough for about six hundred people! It became a running joke to tease Rob about his coleslaw, and for about a year after the barbecue, the servers and busboys used to greet every staff meal with the predictable, “What, no coleslaw?” Here is a manageable-sized recipe for Rob’s light, crunchy, and always satisfying slaw.

My very first chef position was at a twenty-eight-seat restaurant called Alloro, located in Boston’s very Italian North End. At that point in my career, my cooking experience was rooted mostly in French cuisine, but the owner didn’t seem to mind. When I asked him if I had to cook strictly Italian food, his answer was, “No, no, no! Cook whatever you want. We’ll just give it an Italian name.” The French bistro classic salmon with beluga lentils and red wine butter was abbreviated to “Salmone” on the menu, and other quasi-French dishes were likewise masked under short Italian names. The pasta dishes I made at Alloro also strayed from Italian tradition. For my version of the classic spaghetti alle vongole, I added generous amounts of onion, fennel, and olive oil, and sprinkled breadcrumbs toasted with thyme on top. I also finished the sauce with a spot of butter (the French influence again), which thickened and enriched it. In theory, I’m sure my version of spaghetti with clams would outrage purists in both the Italian and the French camps, but one bite ought to be enough to convince them they have lots to learn from each other. Though you might not think of it as such, the water in which you cook pasta is a valuable ingredient, in virtually any pasta recipe. Do your noodles seem a little dry once you’ve tossed them in the sauce? Rather than correcting the problem with stock (which can alter the flavor balance) or oil (which can add greasiness), add a little pasta water instead. Not only will it moisten the dish, but the starch in it (left from the cooking of the pasta) will also help bind the sauce to the noodles. Try it out; it works.

There’s a moment in late May when something in the air shifts. Fava beans and other spring treats are still plentiful and the evenings are still cool, but change is coming. The air at the farmers’ market is suddenly humid with the scent of basil. Small piles of cherry tomatoes, summer squash, and fresh beans show up on the folding tables beside mounds of fresh corn. It’s as if summer is testing the waters, seeing if we’re ready, because it can hardly hold back any longer. Before changing my spring menu to summer, I sample a few beans, checking for crunch. I peel back a cornhusk, bite into the cob—is the corn sweet yet? And finally, I pop a cherry tomato in my mouth to gauge its sugar. If they all pass the test, it’s time to make this First-of-the-Season Succotash Salad, dressed with a simple lemon vinaigrette. After waiting all year, what a joy it is to taste all these sunny flavors on one plate.

This Irish condiment, sold in jars under the name Patum Peperium, was created in 1828 and is still made by only one company, from a secret blend of anchovy, butter, herbs, and spices. The story goes that the man who created it presumed that ladies’ taste buds were too delicate for this hearty anchovy spread. As my version demonstrates, I disagree.

This delicious salsa is great on corned-beef sandwiches as well as on grilled lamb, veal, or even a melted-Gruyère sandwich.

Julie Robles, one of the first cooks at Lucques and later the chef de cuisine at A.O.C., came up with this delicious savory (as opposed to sweet) cherry compote. This time of year I go crazy for cherries and also serve this compote on roast pork or with an assertive cheese like Taleggio.

Great cookie recipes are to be honored and shared, passed from friend to neighbor to cousin. This recipe was passed down from one of my pastry chefs, Kimberly Sklar, who got it from her best friend’s husband’s mother, who happens to live in Cleveland.

One of my favorite dinners growing up was my mother’s veal piccata. Her recipe came from an old cookbook called The Pleasures of Italian Cooking, by Romeo Salta, a gift to her from my father. My father had been a devoted fan of Romeo Salta when he was the chef at Chianti in Los Angeles in the fifties. Back then, it was a swinging Italian joint with red-checkered tablecloths, opera 78s blasting, and red wine flowing into the late hours. My mother’s (and Romeo’s) veal was pounded thin, sautéed, and drenched in a lemony caper-butter sauce. There’s nothing wrong with that classic rendition, but, to add another layer of flavor, I brown the butter and finish it with salsa verde, a pungent purée of capers, anchovies, garlic, oregano, and tons of parsley. To get the finest, crispy crust on the veal, I dredge it in Wondra, a finely milled flour sold at most supermarkets. This dish is home-style Italian comfort food at its best.

André Soltner is one of my culinary heroes. I admire his interpretations of regional dishes from his Alsatian homeland, which are refined enough to serve in one of New York City’s fanciest French restaurants yet still true to their humble origins. Only a great chef can strike that balance. I discovered his recipe for salmon sautéed in a bacon-and-egg “batter” and served with a brown butter sauce in the middle of summer, so I added corn to the sautéed cabbage for a sweet seasonal touch. The tart brown butter–vinegar sauce beautifully balances the smoky bacon and rich salmon.

As soon we were old enough to fly alone, my sister and I would travel back east for a few weeks every summer to visit our grandmother in Connecticut. Our late-summer arrival always coincided with the peak of her beefsteak tomato crop. Every evening, we’d venture out to the backyard to pick tomatoes for that night’s salad. Still warm from the sun, those juicy red slices, sprinkled with salt, left an indelible impression on me. My next life-changing tomato experience was at Al Forno, in Providence, Rhode Island. The owners, George Germon and Johanne Killeen, would drive 35 miles to a tiny town called Little Compton to pick up crates and crates of big red beefsteak tomatoes from their favorite farmer. Slicing the tomatoes to order, they served them with red onion, salt, basil, oil, and vinegar. Again, so simple, yet one of the best things I’d ever tasted. I didn’t discover heirloom tomatoes until a few years later, when I got a job at Chez Panisse in Berkeley. Amazed by the odd shapes and variety of colors, from white to orange to almost black, I sampled every variety I could get my hands on. At Lucques, our regular customers start asking for this heirloom salad in early June. It’s been on the menu every year since we opened and seems to signal that summer is finally here.

Inspired by main-course salads found in the bistros of France, this dish comprises some of my favorite ingredients—beets, mustard, dandelion, and soft boiled egg. The salmon is covered in minced herbs, seasoned with fleur de sel, and then slow-roasted in a humid oven until it’s moist and custardlike at the center.

In Italy, there are many variations of semifreddo, which, literally translated, means “partially frozen.” Sometimes a semifreddo is made from sponge cake layered with slightly frozen cream; other times it’s cake-free, simply a lighter version of ice cream. At Lucques, we make this semifreddo from an uncooked “custard” base that has beaten egg whites (to make it buoyant and light) and whipped cream (to prevent it from freezing completely) folded into it. The result is a creamy frozen dessert that doesn’t require an ice cream maker or a true custard cooked at the stovetop. Strawberry and rhubarb are a classic combination, but though it’s tempting to temper the sourness of the rhubarb with sweet strawberries, I prefer the intense mouth-puckering quality of rhubarb on its own. This is a great party dessert since you can prepare all the components ahead of time.

This dish proves my quirky theory that green and orange foods go together. Think about it: peas and carrots, oranges and asparagus, winter squash and arugula. Saffron, a beautiful rusty orange, pairs perfectly with spring’s green bounty. Saffron has been used as a flavoring and coloring agent (even as hair dye!) since ancient Egyptian times. The saffron thread is actually the stigma (part of the female reproductive organ) of the saffron crocus. Each one must be handpicked from the flower, which accounts for saffron’s outrageous price. Fortunately, a little goes a long way. Use it with a light hand, as too much saffron can easily overwhelm a dish. Buy whole threads, not powder, and store them in a cool, dark place. Buy only a little saffron at a time, so you’ll be able to use all of it while it’s still fresh.

Look in any Sicilian cookbook and you’ll find a recipe for the popular side dish, or contorno, of cooked greens with currants and pine nuts. I make Swiss chard the main attraction of this dish, layering it onto a savory tart with rich and tangy goat cheese, then topping it with sweet currants and toasted pine nuts. Use a crumbly, slightly aged goat cheese, such as Bûcheron, Rodin Affiné, or the domestically produced Laura chanel aged chèvre. Feel free to substitute any other tender greens, such as the tops of beets or turnips, or a bunch of young mustard greens for the Swiss chard.

Our wild strawberry cordial is actually somewhere between a fruit purée and a syrup. The idea was to create a high-octane strawberry flavor to blend in a French 75 cocktail (page 69). Much of the flavor comes from the wild strawberries we have imported frozen from France—they are tiny in size but big in flavor and vary from light yellow to deep red. You can use regular fresh strawberries, but make absolutely certain that they are ripe and fragrant.

Plymouth gin has a slightly floral nature. We accentuated it with dried lavender, creating a fast and versatile infusion with many possibilities. This infusion is visually stunning—the herb colors the gin with a slight hue of dark lavender. We use it as the base for our Provençal cocktail (page 49) and recommend it for making a lavender fizz or even an Aviation cocktail (page 63) made with lemon juice, maraschino liqueur, and infused gin.

Hibiscus is used throughout the Middle East and Latin America to make a ruby-red herbal tea. You can find the flowers at a tea or herb retailer. This hibiscus cordial is the brainchild of our bar manager and long-time friend Robert Krueger. This cleverly designed cordial brings out a rich color, beautiful floral notes, and a nice citrus flavor from the dried hibiscus flowers. It’s the main ingredient in Rob’s Roselle cocktail (page 71). Vodka and brandy serve to fortify the cordial for longer use.

In many antiquated recipes for this Southern specialty, infusing mint syrup is a necessary step in making a proper Mint Julep (page 78). This is a very simple ingredient to make and will greatly enhance the flavor of the cocktails you use it in. It is traditionally used as an ingredient in juleps and smashes.